

#Layers of fear 2 funny youtube movie
Mangold fills this entire sequence with delicious little gracenotes that help overcome some dark and dodgy CGI a bit involving a very heavy bomb is worthy of any movie this franchise has ever produced. The tech is still a little wonky here and there - appropriate for a franchise that privileges the finite powers of science over the vagaries of magic - but there’s no denying how much fun it is to watch a young Harrison Ford punch a brand-new array of Nazis, and even fight some of them on top of a speeding train alongside fellow archeologist Basil Shaw (Toby Jones). In hindsight, the worst part is that Mangold’s lengthy prologue dares to promise something more, as “The Dial of Destiny” starts with a de-aged Indy stealing a certain artifact from the Nazis at the tail end of World War II.

No, the biggest (or at least most evident) difference between Spielberg and Mangold is that one of them would never have allowed himself to make anything this stale, and one of them probably wasn’t given any other choice.Īn empty slog of a movie that only exists to smooth over any of the stray fan complaints that have splintered the franchise’s audience over the last 15 years, “The Dial of Destiny” is a globe-trotting adventure movie so safe that even its 80-year-old hero never seems to be in any significant danger (a more accurate “Star Wars” comp would be “The Force Awakens,” but that legacy sequel had the luxury of promising something new, whereas this one just devotes itself to untying perfect knots into loose ends). Mangold is as worthy an heir to Spielberg’s crown as anyone working at the studio level today, and the most electric setpieces in “The Dial of Destiny” - all of which are crammed into the opening 45 minutes - display the same charismatic flair and competence behind the camera that helped the vastly underrated likes of “Knight + Day” to punch so high above its weight class.
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If only any previous entries in this series had taken great pains to point that out.īack to Mangold for a moment: It’s important to note that the failure of his latest movie has much less to do with his talents as a filmmaker than it does with the time at which he’s been asked to apply them.

Not only is “ Indiana Jones and the Dial of Destiny” an almost complete waste of time, it’s also a belabored reminder that some relics are better left where and when they belong. What he didn’t find was a compelling reason to re-open that book in the first place. On the contrary, there’s something kind of admirable about the fact that Mangold found the chutzpah to close the book on the Bearded One’s signature franchise. The first Layers of Fear game, if you're unfamiliar, charted the story of a painter on the verge of completing his masterpiece while Layers of Fear 2 told the tale of an actor making a movie onboard a labyrinthine ocean liner, with both games serving up some striking psychedelic imagery as each protagonist began to lose their grip on reality.It goes without saying that James Mangold is no Steven Spielberg, just as it would be wildly unfair to hold any Hollywood director to that standard. Layers of Fears, as the remake is officially (and ridiculously) known, is being co-developed with Anshar Studios, and will see the original Layers of Fear, its Inheritance DLC, and Layers of Fear 2 rebuilt in Unreal Engine 5, complete with new visuals, gameplay, and expanded plot lines said to "cast a new light on the overarching narrative" as players face "spine-chilling madness that extends over generations." Back in June, Bloober Team - the developer behind The Medium, Observer, and Blair Witch - announced it was remaking Layers of Fear 1 & 2 as a single "psychedelic horror chronicle", and now the studio has shared a first look at a "brand-new story chapter" in its latest trailer.
